Each pad comprises three layers, which you can tweak individually, in terms of volume, ADSR envelope, pitch and panning.Įach layer can be modulated with several parameters and shaped with an EQ page that has a three-band EQ and five filter types (with the cut-off able to be modulated by four parameters). The Gravity pads comprise four descriptive types and the ‘Agressive, Ethereal, Experimental and Unnerving’ categories are as descriptive as it gets. Gravity opens within Kontakt as an instrument, as normal, and you are immediately presented with some filmic sonic options: pads, hits, stings and risers as each has a set of unique parameters, I should look at them in turn. The Only Way Is… Installation is via the Continuata installer, itself a small download and one that you paste your code into, select your destination and let the 12GB download do its thing. So while the aims and audience of the collection will quickly become obvious – think tension-building scores to back high-drama, horror, sci-fi, or anything needing atmosphere, basically – there is hopefully enough going on in the manipulation department to make Gravity more about being inspired than copying it’s more about being the sheep dog than the sheep.
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